{"id":11671,"date":"2019-06-07T12:35:14","date_gmt":"2019-06-07T10:35:14","guid":{"rendered":"http:\/\/bid-dimad.org\/octavoencuentro\/?page_id=11671"},"modified":"2019-09-13T13:50:37","modified_gmt":"2019-09-13T11:50:37","slug":"admission-committee","status":"publish","type":"page","link":"http:\/\/bid-dimad.org\/octavoencuentro\/en\/admission-committee\/","title":{"rendered":"Admission Committee"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]The Admission Committee, with the submissions presented to them by the Teaching Experiences and the Research Forum and Design, will evaluate the proposals that are presented in the working groups and then, after a final revision, will publish their results.<\/span><\/p>\n

Things that will be taken into account, among other criteria, are the adaption of the theme and to the general objectives of the BID Meeting, to the specific objectives of this edition and the thematic axis<\/a> under the motto \u201c100 years after Bauhaus\u201d; the contribution of submission to the publication and its reflection on design (both didactic and research based).<\/span><\/p>\n

Here are the Admission Committee representatives. The Admission Committee is lead by Adela Acitores, a representative of the school ESNE \u2013<\/span>University School of Design and Innovation<\/b><\/a>\u2013 which collaborates with us.<\/span>[\/vc_column_text]

<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Manuel Lecuona<\/h3>\n

Director cient\u00edfico
\n8\u00ba Encuentro BID
\nEspa\u00f1a<\/p>\nPerfil<\/span><\/a>\n

\n

Catedr\u00e1tico en Gesti\u00f3n del Dise\u00f1o. Docente en la ETS de Ingenier\u00eda del Dise\u00f1o, en el Master Oficial en Ingenier\u00eda del Dise\u00f1o de la Universidad Polit\u00e9cnica de Valencia (UPV). Fundador del IGD – Grupo de Investigaci\u00f3n y Gesti\u00f3n del Dise\u00f1o (UPV). Director del observatorio de tendencias Trendhal desighspotting. Manuel Lecuona es coordinador del modulo Gesti\u00f3n del Dise\u00f1o del Posgrado Design Managenent de la Fundaci\u00f3n de la UPC. Profesor Invitado Universidad de la Habana (Cuba); Universidad del EAFIT Medell\u00edn (Colombia) y Magister en Dise\u00f1o Estrat\u00e9gico de la Universidad de Valparaiso (Chile).<\/p>\n

Se desempe\u00f1a tambi\u00e9n como asesor externo en Gesti\u00f3n del Dise\u00f1o del Barcelona Centro de Dise\u00f1o (bcd) y en el Centro Tecnol\u00f3gico PRODINTEC. Colabora con organismos como CANACINTRA y AFANJL (M\u00e9xico), Bancomex (M\u00e9xico), Centro Tecnol\u00f3gico de la madera CATEM (Bio-Bio Chile), Banco CETELEM (Espa\u00f1a). FEDERHABITAT (Espa\u00f1a) Director del observatorio de tendencias Trendhal desighspotting.<\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Adela Acitores<\/h3>\n

Coordinadora Foro
\nESNE
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n

\n

Arquitecta por la UPM, obtuvo una beca del Ministerio de Formaci\u00f3n de Personal investigador y Profesorado universitario en la ETSAM que culmin\u00f3 con su doctorado en 1996. Desde entonces ha trabajado como profesora en el \u00e1rea de Expresi\u00f3n Gr\u00e1fica impartiendo clases en las titulaciones de Arquitectura, Dise\u00f1o y BBAA, como profesora titular en la Universidad Europea de Madrid (1996 a 2013), donde ha sido Profesora Titular y Directora del Departamento de Expresi\u00f3n Gr\u00e1fica y Dise\u00f1o. Posteriormente continu\u00f3 su actividad acad\u00e9mica en la universidad Antonio de Nebrija (2013 a 2015), donde asumi\u00f3 el cargo de coordinaci\u00f3n del \u00c1rea de Expresi\u00f3n Gr\u00e1fica en su escuela Polit\u00e9cnica. En la actualidad es la Directora de Ordenaci\u00f3n Acad\u00e9mica de ESNE, Escuela Universitaria de Dise\u00f1o Innovaci\u00f3n y Tecnolog\u00eda.<\/p>\n

Durante todo este tiempo ha compaginado su actividad docente con su trayectoria profesional e investigadora, participando en varios proyectos. En la actualidad pertenece al grupo Vignola de la Facultad de Bellas Artes de la UCM. Este a\u00f1o ha dirigido el Congreso Internacional de Innovaci\u00f3n en la docencia de Dise\u00f1o IDD.<\/p>\n

http:\/\/ciidd.esne.es\/<\/p>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column]

<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Jimena Alarc\u00f3n<\/b>.
\nUniversity of B\u00edo-B\u00edo.
\nConcepci\u00f3n, Chile<\/p>\nBiography<\/span><\/a>\n
Academy of the University of B\u00edo-B\u00edo (1995), Concepci\u00f3n, Chile; Doctor in Design Management (2012), Polytechnical University of Valencia, Spain; Master in wood Construction (2003), University of B\u00edo-B\u00edo, collaborating with Design innovation, Italie; Industrial designer (1995), University of Valpara\u00edso, Chile. Director of the Art and Design Technologies Department (2010\/2016).
\nFounder and director of Entrepreneurship and Innovation Center for Design and Design Research Laboratory (2013), Seminary of Design Research (2010) and District Design Gran Concepci\u00f3n (2016). More than twenty years of experience in researching and teaching on the themes of industrial design, design management, material design, kansei engineering, sustainability and bionics. She takes part of the executive office of Doctorate in Sustainable Materials and Processes and Magister in Wood Construction. She lead and collaborated in projects like CONICYT, FONDECYT, CORFO, MECESUP, INNOVA, ALFA, ERANET LAC. Author of books and diverse articles.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
\n

Juanita Bag\u00e9s<\/b>
\nUniversidad Complutense de Madrid.
\nMadrid, Espa\u00f1a<\/p>\nBiography<\/span><\/a>\n

Doctora en Bellas Artes por la UCM y Dise\u00f1adora Gr\u00e1fica de la Universidad Nacional de Colombia. Actualmente es Docente en Dise\u00f1o y Vicedecana de Movilidad y Salidas Profesionales Facultad de Bellas Artes. Universidad Complutense de Madrid. Madrid.
\nEn el a\u00f1o 2000 recibi\u00f3 Beca Carolina Oramas para j\u00f3venes artistas colombianos y con ella inici\u00f3 sus estudios de posgrado en Espa\u00f1a. Ha sido docente en el Grado en Ingenier\u00eda en Dise\u00f1o Industrial y Desarrollo del Producto de la Nebrija, en el Grado en Bellas Artes del CES Felipe II, y en las carreras de Dise\u00f1o Gr\u00e1fico de la Universidad Nacional de Colombia y la Universidad Jorge Tadeo Lozano (Bogot\u00e1, Colombia). Durante a\u00f1os ha combinado su labor docente e investigadora como miembro diferentes grupos de investigaci\u00f3n e innovaci\u00f3n con su trabajo como dise\u00f1adora y fot\u00f3grafa, en varios estudios y editoriales.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Roberta Barban Franceschi<\/b>
\nUnidcom -IADE Portugal. UNIR International University of la Rioja. ESNE
\nAsturias, Espa\u00f1a<\/p>\nBiography<\/span><\/a>\n
Researcher in UnidcomlADE Portugal, in circular design and teaching methodology between university and company.
\nTeacher in the International University of la Rioja -UNIR- in the Degree in Digital Design and in the Official Master in Digital Graphic Design, academic coordinator of the University expert in Digital Ecodesign Packaging (UNIR), and teacher in Fashion, Interior Architecture, Graphic Design and Video Games areas and coordinator of extracurricular activities in ESNE Asturias.
\nDoctor in Fine Arts in Complutense University of Madrid. Bachelor in Architecture and Urbanism (Universitary Center Moura Lacerda \/ RibeiraoPreto – Brasil), with three Masters related to sustainability (UCM), Design of product (UNESP) and innovation (IED – Madrid).
\nShe participated in different research teams, whether national or international, while being the major researcher for three years in Steelcase Chair of educational spaces and equipment at the European University of Madrid. She also participated in researches done in Brazil, Portugal and Spain, in different domains of design: product, sustainability, creative graphic representation and university\/company methodology.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Rossana Bast\u00edas Castillo<\/b>
\nUniversidad de Valpara\u00edso.
\nValparaiso, Chile<\/p>\nBiography<\/span><\/a>\n
Dise\u00f1adora Gr\u00e1fica (1985) y Catedr\u00e1tica de la Escuela de Dise\u00f1o de la Universidad de Valpara\u00edso-Chile, es Doctora en Dise\u00f1o por la Universidad Polit\u00e9cnica de Valencia (2010), M\u00e1ster en Gesti\u00f3n de la Comunicaci\u00f3n por la Universidad de Barcelona (2004). Profesora en la Maestr\u00eda en Gesti\u00f3n del Dise\u00f1o para los Desarrollos Regionales en la Universidad Nacional de Cuyo, Argentina. Ha realizado diversas investigaciones en la l\u00ednea de gesti\u00f3n del dise\u00f1o en el \u00e1mbito empresarial financiadas por fondos concursables entre los que se destacan: Fondecyt-Conicyt del Ministerio de Ciencias de Chile, Corfo del Ministerio de Econom\u00eda de Chile y Universidad de Valpara\u00edso. Forma parte del Comit\u00e9 Cient\u00edfico de la Revista \u00d1awi\/Escuela Superior Polit\u00e9cnica del Litoral\/ESPOL, Ecuador y la Revista Base de la Universidad del Desarrollo, Chile. Ha publicado art\u00edculos en libros especializados y revistas indexadas. Es evaluadora de Proyectos de investigaci\u00f3n y de Becas para estudios de postgrado de la Comisi\u00f3n Cient\u00edfica y Tecnol\u00f3gica, Conicyt, Chile.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Paulina Becerra<\/b>
\nFADU-UBA, University of Quilmes
\nBuenos Aires, Argentina
\nBiography<\/span><\/a>\n
Industrial designer (UBA) and Magister in Science, Technology and Society (UNQ). Coordinator of the Innovation\u2019s program of the National University of Quilmes. She performs as a consultant in Design Thinking, strategic and innovation design, supporting and accompanying research processes, consulting, design and development of design, products and services. Since 2000, she is an undergraduate and graduate teacher, whether in traditional modality or virtual one (UBA, UTN, UNQ, UNR), and she carries out research activities within the Observatory of Innovation and Technology Transfer of the UNQ.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Mar\u00eda Bernardita Brancoli Poblete. University of Development \/ UDD, headquarter Santiago and Concepci\u00f3n. Chile<\/p>\nBiography<\/span><\/a>\n
Director of Extension and Continuing Education and of the Design Center of the Design faculty of the University of the development.
\nGeneral editor of the academic review of the Design faculty of the UDD: Base, Design and Innovation. She has lead the executive production of the 4th, 5th and 6th Biennial of Design of Chile and was in charge of graphic projects published in design diffusion editions such as New Design – Chile, Magazine Tipogr\u00e1fica, Argentina, Libro Logos 2 by Editorial Taschen, Germany, and Catalog of the 4th, 5th and 6th Biennial of Chilean Design. Since 1990, she participates in archeological expeditions under Fondos Conicyt rescuing and drawing paintings and cave engravings in northern Chile.
\nTitular designer of the Pontifical Catholic University of Chile. Magister in History and Heritage Management University of the Andes. Graduate in Tipogr\u00e1fic design, Pontifical Catholic University of Chile.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Rosita De Lisi <\/b>
\nUniversidad de la Rep\u00fablica \/ Udelar.
\nMontevideo, Uruguay<\/p>\nPerfil<\/span><\/a>\n
PhD en Dise\u00f1o, Artes y Nuevas Tecnolog\u00edas (UNICAM, Italia), Master Internacional en Dise\u00f1o de Productos, Diplomada en Identidad Corporativa (Elisava – CDI); arquitecta (UCV). Prof. de la Escuela Universitaria Centro de Dise\u00f1o \/ FADU, Universidad de la Rep\u00fablica, Uruguay. Responsable del \u00c1rea Proyectual y de grupos de investigaci\u00f3n (Dise\u00f1o y sustentabilidad y Dise\u00f1o para la infancia). Ha sido docente de dise\u00f1o en Uruguay, Italia y Venezuela. Ha sido asesora en proyectos de organismos estatales para la mejora de productos artesanales, ha recibido premios de dise\u00f1o y publicado art\u00edculos en libros y revistas especializadas.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Dolores Delucchi. FADU\/UBA, National University of Hurlingham<\/p>\nBiography<\/span><\/a>\n
Toys and playful interfaces in FADU UBA. Researcher and teacher of the Careers of Industrial Design in FADU\/UBA and in the National University of Hurlingham.
\nExpert in incorporation of dynamics of design innovation in PYMES, she studies the case of insertion of design in the toy industry. She works as an independent consultant with diverse companies and institutions and manages different teams and projects in design research, innovation management, strategic management of design and products and services design areas.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Ricardo.<\/span>Espinosa.<\/span>Ruiz<\/b>
\nUniversidad de Nebrija.
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n
Doctor por la Universidad Complutense de Madrid. M\u00e1ster de Investigaci\u00f3n en Arte y Creaci\u00f3n en la Facultad de Bellas Artes de la UCM. Graduado en Ingenier\u00eda en Dise\u00f1o Industrial y Desarrollo de Producto por la Universidad Alfonso X el Sabio. Ingeniero T\u00e9cnico en Dise\u00f1o Industrial por la Universidad Cardenal Herrera CEU.
\nHa ejercido la docencia en diferentes centros: Universidad Nebrija, Universidad Complutense de Madrid y Universidad Alfonso X el Sabio.
\nComo dise\u00f1ador, ha trabajado entre otros estudios para Sottsass Associati, el Premio Nacional Daniel Nebot o el Estudio Paco Bascu\u00f1\u00e1n.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Lu\u00eds.<\/span>Ferreira<\/b>
\nUniversidade de Aveiro.
\nAveiro, Portugal<\/p>\nPerfil<\/span><\/a>\n
\n

Doutorado em Design e Imagem pela Universidade de Barcelona, \u00e9 atualmente professor auxiliar convidado no DeCA da Universidade de Aveiro, lecionando na licenciatura de Design e na licenciatura de Novas Tecnologias da Comunica\u00e7\u00e3o, onde tamb\u00e9m orienta teses de mestrado e doutoramento.<\/p>\n

Membro da unidade de investiga\u00e7\u00e3o do ID+ (DeCA \/ FBAUP \/ IPCA), tem participado em confer\u00eancias nacionais e internacionais, escreve textos sobre design e \u00e9 membro do Comit\u00e9 Cient\u00edfico da Revista Educa\u00e7\u00e3o Gr\u00e1fica, editada pelo Departamento de Artes e Representa\u00e7\u00e3o Gr\u00e1fica da Faculdade de Arquitetura, Artes e Comunica\u00e7\u00e3o da UNESP (Brasil), e membro do Comit\u00e9 de Pares Avaliadores da Revista Chilena deDise\u00f1o, RChD: creaci\u00f3n y pensamiento, publica\u00e7\u00e3o do Departamento de Dise\u00f1o de la Universidad deChile (Chile).
\nIniciou a sua pr\u00e1tica profissional em Barcelona, em 1996, e fundou com a arq. Daniela Michelli o atelier PitangaDesign, onde desenvolve projetos com \u00eanfase nas \u00e1reas da museografia, design expositivo, identidade de marca, packaging e design editorial.<\/p>\n<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"

Ana Garc\u00eda Angulo<\/b>
\nArtediez.
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n
\n

Doctora en Bellas Artes. Profesora de tecnolog\u00eda aplicada al dise\u00f1o y jefa de departamento de promoci\u00f3n y desarrollo en Artediez, escuela p\u00fablica de dise\u00f1o de la Comunidad de Madrid (artediez.es). Co-organizadora de los Encuentros de dise\u00f1o y cultura digital, EDCD (edcd.es), l\u00ednea de actividades permanente de Medialab Prado y escuelas de dise\u00f1o de Madrid. Co-organizadora de Art Skills, Olimpiadas Art\u00edsticas de las Escuelas Superiores y Art\u00edsticas P\u00fablicas de Espa\u00f1a (artskills.es).
\nInteresada en la tecnolog\u00eda, los procesos colaborativos, el mundo maker y el dise\u00f1o y software libre. Participante de Libre GraphicResearchUnit, grupo de investigaci\u00f3n europeo que estudia la Gr\u00e1fica Libre en todos los \u00e1mbitos del dise\u00f1o.<\/p>\n<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"

Robert.<\/span>Garita<\/b>
\nQBIC FabLab.
\nDoha, Catar<\/p>\nPerfil<\/span><\/a>\n
Costarricense, arquitecto especializado en fabricaci\u00f3n digital e innovaci\u00f3n social. Exdirector de FabLab Veritas, actualmente presidente y cofundador de la Asociaci\u00f3n FabLab Costa Rica. Posee una Maestr\u00eda por el Instituto de Arquitectura Avanzada de Catalu\u00f1a, un Diploma en Fabricaci\u00f3n Digital por el FabFoundation y es Gestor de Innovaci\u00f3n Certificado por la Universidad de Leipzig. Ha participado como tutor en talleres de posgrado para instituciones como el Instituto de Arquitectura Avanzada de Catalu\u00f1a y en la Escuela de Arquitectura Bartlett en Londres. En 2011 recibi\u00f3 el premio “Excelencia en Gesti\u00f3n Empresarial” otorgado por la Asociaci\u00f3n de Calidad Total en Guayaquil, Ecuador. Seleccionado por el peri\u00f3dico costarricense El Financiero como una de las 40 personas m\u00e1s influyentes menores de 40 a\u00f1os en Costa Rica para 2016. Actualmente se desempe\u00f1a como Manager del QBIC FabLab, ubicado en el Qatar Business Incubation Center en Doha.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Dr. Carolina G\u00f3mez Gonz\u00e1lez. University EAFIT in Medell\u00edn, Colombia y University of VIC – Central University of Catalonia<\/p>\nBiography<\/span><\/a>\n
Design Manager in SHAD (company that creates accessories for motorbikes). Doctor in Design, Fabrication and Industrial Projects Management (UPV). A master in Engineering of design (UPV). Engineering of Product Design (U.EAFIT). Teacher of the Design Management module in companies in the speciality \u201cProduct Design Management\u201d of the University EAFIT in Medell\u00edn, Colombia since 2012 and of the course \u201cDesign and Product Deployment\u201d in the University of VIC – Central University of Catalonia.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Emilio Jim\u00e9nez-Ib\u00e1\u00f1ez<\/b>
\nUniversidad Veritas
\nCosta Rica<\/p>\nPerfil<\/span><\/a>\n
Director de la Escuela de Dise\u00f1o y Comunicaci\u00f3n Visual de la Universidad V\u00e9ritas de Costa Rica. Experto en el desarrollo de procesos y proyectos de innovaci\u00f3n, aplicando Design Thinking, amplia experiencia en consultor\u00eda empresarial en innovaci\u00f3n, branding estrat\u00e9gico, dise\u00f1o de servicios, innovaci\u00f3n de procesos acad\u00e9micos y dise\u00f1o de nuevos programas en diversas modalidades. PhD. en Dise\u00f1o, Fabricaci\u00f3n y Gesti\u00f3n de Proyectos Industriales por la Universitat Polit\u00e8cnica de Val\u00e8ncia (Espa\u00f1a). M\u00e1ster en Ingenier\u00eda del Dise\u00f1o y M\u00e1ster en Gesti\u00f3n del Dise\u00f1o Industrial.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Adolfo Lucero<\/b>
\nParsons School of Design, CHAV\u00d3N – La Escuela de Dise\u00f1o.
\nSanto Domingo, Rep\u00fablica Dominicana<\/p>\nPerfil<\/span><\/a>\n
\n

Formado en Dise\u00f1o Gr\u00e1fico con una especialidad en Identidad Corporativa y Empaque, se ha dedicado por cerca de tres d\u00e9cadas de su vida profesional al campo acad\u00e9mico del dise\u00f1o, inicio en el Instituto de Dise\u00f1o de la Fundaci\u00f3n Neumann y paralelamente en el Centro Art\u00edstico Vilasmil de Caracas al igual que es su Alma Mater el Instituto de Dise\u00f1o de Caracas. Con estudios de formaci\u00f3n en la Istituto Europeo di Design en Barcelona y Parsons The New School for Design en la ciudad de New York. Se integra a Chavon La Escuela de Dise\u00f1o Afiliada a Parsons The New School for Design en la ciudad de New York en el a\u00f1o 1994 como director de admisiones y miembro de su facultad, actualmente se desempe\u00f1a como Vicerrector Acad\u00e9mico de esta instituci\u00f3n fundada en el a\u00f1o 1983 y conocida como la Bauhaus del Caribe.<\/p>\n

Adem\u00e1s de su dedicaci\u00f3n a la educaci\u00f3n en el campo del dise\u00f1o durante sus primeros a\u00f1os profesionales trabaj\u00f3 para la compa\u00f1\u00eda 3M Manufacturera de Venezuela, Warnern Lambert y Leo Burnett. Durante a\u00f1os m\u00e1s recientes ha sido colaborador para editoras como el List\u00edn Diario y Diario Libre en la Rep\u00fablica Dominicana en temas relacionados con dise\u00f1o. Es miembro del Equipo de apoyo \/ selecci\u00f3n de la Bienal Iberoamericana de Dise\u00f1o.<\/p>\n<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"

Inmaculada E. Maluenda. Complutense University of Madrid. Fine Arts. Madrid, Spain<\/p>\nBiography<\/span><\/a>\n
Doctor in Architecture and teacher of the Department of Design and Image of Complutense University of Madrid (Fine Arts). She wrote more than a hundred of specialized articles about design of space, art and architecture, and she curated exhibitions in related fields for institutions such as the Official College of Architects of Madrid, art galleries such as Espacio Valverde or the Spanish Pabell\u00f3n in the Biennial of Venice (2012, 2014). She specialized her research in design on Visual Studies and in the expressive and symbolic uses of typography in the built environment, subject that she developed in her doctoral thesis and whose adaptation to a book will be published by Camgr\u00e0fic (2020).<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Alban.<\/span>Mart\u00ednez.<\/span>Gueyraud<\/b>
\nUniversidad Nacional de Asunci\u00f3n
\nUniversidad Columbia del Paraguay.
\nAsunci\u00f3n, Paraguay<\/p>\nPerfil<\/span><\/a>\n
Doctor Arquitecto y Master en Historia, Arte, Arquitectura y Ciudad por la ETSAB\/UPC, Barcelona, Espa\u00f1a. Docente, cr\u00edtico de arte y curador. Arquitecto y Especialista en Did\u00e1ctica Universitaria por la FADA\/UNA. Ex director de las Carreras de Dise\u00f1o y de Arquitectura de la Universidad Columbia del Paraguay. Docente de las carreras de Arquitectura y de Cinematograf\u00eda de la Universidad Columbia del Paraguay. Profesor del Instituto Superior de Arte y de la Licenciatura en M\u00fasica, dependientes de la Facultad de Arquitectura, Dise\u00f1o y Arte, Universidad Nacional de Asunci\u00f3n. Miembro de AICA (Asociaci\u00f3n Internacional de Cr\u00edticos de Arte) y de ALADI (Asociaci\u00f3n Latinoamericana de Dise\u00f1o). Integrante del Comit\u00e9 Acad\u00e9mico del Doctorado en Dise\u00f1o, Universidad de Palermo, Buenos Aires.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Delfina Mor\u00e1n<\/b>
\nEscuela Universitaria de Dise\u00f1o e Innovaci\u00f3n \/ ESNE.
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n
Directora del M\u00e1ster Universitario en Experiencia de Usuario para el Dise\u00f1o de Productos y Servicios en ESNE. En el mismo centro es docente de Metodolog\u00edas de Investigaci\u00f3n Acad\u00e9mica en el citado M\u00e1ster y de Historia del Dise\u00f1o y de Dise\u00f1o Centrado en el Usuario en el Grado en Dise\u00f1o de Producto (ESNE)
\nDoctora por la Universidad de M\u00e1laga, con la tesis \u201cDise\u00f1o y patrimonio. Modelos de conservaci\u00f3n y difusi\u00f3n\u201d es licenciada en Bellas Artes (especialidad dise\u00f1o) por la Universidad Complutense de Madrid con estudios de postgrado en Dise\u00f1o en la Willem de Kooning Academie (WdKA) de Rotterdam, Pa\u00edses Bajos
\nHa sido coordinadora del Grado en Dise\u00f1o de la Universidad Europea de Madrid y redactora del plan de estudios de dicho grado, Se desempe\u00f1\u00f3 como comisaria de la exposici\u00f3n de dise\u00f1o neerland\u00e9s \u201cBinnen-buiten, en la calle como en casa\u201d, Central de Dise\u00f1o, Madrid, 2008 (entre otras)
\nSus l\u00edneas de investigaci\u00f3n son teor\u00eda e historia del dise\u00f1o, difusi\u00f3n del dise\u00f1o, dise\u00f1o de experiencia de usuario. Como profesional del dise\u00f1o, desarrolla su carrera desde 1990 hasta 2012 como dise\u00f1adora de sistemas interactivos.
\nMiembro activo de la Asociaci\u00f3n de Dise\u00f1adores de Madrid (DIMAD) y patrona electa de la Fundaci\u00f3n DIMAD.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Silvia Nuere Men\u00e9ndez-Pidal. Polytechnical University of Madrid<\/p>\nBiography<\/span><\/a>\n
Universitary teacher since 2001 in Fine Arts giving technical drawing and design lessons, and Titular teacher, artistic drawing and design of the future engineers in Industrial Design of the Polytechnical University of Madrid. Her subjects of researching include teaching and learning methodologies which merge different fields of knowledge such as art, design and engineering, promoted through projects of pedagogical innovation and scientific conferences. She is an author and a co-author of more than fifty publications about artistic learning methodologies. She is the creator and the director of the scientific review ArDIn: Art, Design and Engineering, that promotes the interaction of these knowledge areas. Moreover, as an artist, she participated in more than 20 collective exhibitions.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Patricia Paredes L\u00f3pez <\/b>
\nPontificia Universidad Javeriana.
\nBogot\u00e1, Colombia<\/p>\nPerfil<\/span><\/a>\n
Dise\u00f1adora Industrial de la Universidad Nacional de Colombia. Doctora de la Universidad Polit\u00e9cnica de Valencia \u2013 Espa\u00f1a, en el \u00e1rea de la Gesti\u00f3n de Dise\u00f1o. Realiz\u00f3 el Master en Dise\u00f1o, Gesti\u00f3n y Desarrollo de Nuevos Productos de la misma universidad. Se ha desempe\u00f1ado como docente en pregrado y posgrado en varias universidades en Bogot\u00e1, as\u00ed como dise\u00f1adora de productos en empresas. Ha sido conferencista en Colombia, Chile, Argentina y M\u00e9xico y consultora empresarial. Actualmente es profesora asociada de la Pontificia Universidad Javeriana de Bogot\u00e1. Cre\u00f3 y dirige desde hace m\u00e1s de 14 a\u00f1os el grupo de Investigaci\u00f3n en Gesti\u00f3n de Dise\u00f1o, con el cual realiza proyectos enfocados en la Investigaci\u00f3n y Desarrollo Tecnol\u00f3gico para mejorar la inserci\u00f3n del dise\u00f1o en empresas de diferentes sectores. Coautora de los libros Herramientas de Apoyo a la Gesti\u00f3n de Dise\u00f1o HAGEDI, libro 1 y 2 y Checking Design, enfocados en la inserci\u00f3n del dise\u00f1o como factor de innovaci\u00f3n y competitividad en las empresas.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Milvia.<\/span>P\u00e9rez<\/b>
\nInstituto Superior de Dise\u00f1o, Universidad de La Habana.
\nLa Habana, Cuba<\/p>\nPerfil<\/span><\/a>\n
Graduada de Dise\u00f1o Industrial en el Instituto Superior de Dise\u00f1o de la Universidad de La Habana (ISDi). Master en Ciencias por la Universidad Nacional Aut\u00f3noma de M\u00e9xico, 1997. Decana de la Facultad de Dise\u00f1o Intustrial del ISDi por m\u00e1s de diez a\u00f1os y profesora principal de Dise\u00f1o y de Gesti\u00f3n de Dise\u00f1o. Miembro del Comit\u00e9 la Maestr\u00eda de Gesti\u00f3n de Dise\u00f1o del ISDi y Presidenta de la Comisi\u00f3n Nacional de la Carrera de Dise\u00f1o Industrial. Miembro del Comit\u00e9 de Expertos de la Oficina Nacional de Dise\u00f1o (ONDi) de Cuba. Jurado del Premios Nacional de Dise\u00f1o de la ONDi, as\u00ed como miembro del Jurado de Dise\u00f1o de Ferias Nacionales e Internacionales en La Habana.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Pablo.<\/span>R..<\/span>Prieto<\/b>
\nUniversidad Rey Juan Carlos.
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n
Arquitecto (UPM, 2003) y Doctor en Ciencias de la Comunicaci\u00f3n (URJC, 2009). Es profesor en la Universidad Rey Juan Carlos, donde desde hace 14 a\u00f1os trabaja en comunicaci\u00f3n gr\u00e1fica, interfaces gr\u00e1ficas de usuario y experiencia de usuario, tanto en docencia como en investigaci\u00f3n. Ha formado parte de los equipos que han puesto en marcha en la URJC los grados en Dise\u00f1o Integral, Arquitectura, Bellas Artes, Moda y Paisajismo.
\nActualmente es Vicedecano de Unidades Docentes Delegadas y Coordinador de la Rama de Artes y Humanidades de la Escuela de M\u00e1steres Oficiales de la URJC.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Bernardo Providencia. University of Minho, Portugal<\/p>\nBiography<\/span><\/a>\n
Director of the Master Degree in Products and Services Design of the University of Minho. Investigator of Lab2PT (Laboratory of Landscape, Patrimony and Territory)
\nTeacher. He coordinates and integrates teams in projects of I + D + I with companies and national and international public institutions. Enthusiast in traditional arts and participative design, he is focusing on his area of researching in design focused on the user, the emotional design and the social design.
\nHe collaborates in the conception of national and international workshops as a form of extension of the universitary activity, in the continuous dialogue between organisations, academy and companies, in the construction of inclusive and participating projects. As a designer, he developed multidisciplinary work, particularly with communication, theater, museology and craftwork areas.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
N\u00e9lida Ram\u00edrez Triana. National University of Colombia – Palmira Campus, Colombia<\/p>\nBiography<\/span><\/a>\n
Associate teacher. Design Department. National University of Colombia – Palmira Campus
\nWith more than 20 years of experience in teaching, innovating and investigating in design, she is an active member of the Group of Investigation in Design GUIA focused on design for the Human well-being and Design inspired from nature. PhD in Design, Fabrication and Industrial Projects Management in the Superior Technical School of Design Engineering, Polytechnic University of Valencia, Spain (2013).
\nExpert in Marketing and in Administration of the Total Quality and Productivity Management. Industrial Designer trained in the National University of Colombia – Bogot\u00e1 Campus (1996).
\nManager of events to promote Design such as: Dise\u00f1o con Sentido (2004), VI Velada de Dise\u00f1o (2015) and Dise\u00f1a Diverso (2018).<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Eviel.<\/span>Ramos<\/b>
\nInstituto Superior de Dise\u00f1o, Universidad de La Habana.
\nLa Habana, Cuba<\/p>\nPerfil<\/span><\/a>\n
Graduado con T\u00edtulo de Oro de Dise\u00f1ador Informacional en el Instituto Superior de Dise\u00f1o (ISDi) de la Universidad de La Habana (1996). Decano de la Facultad de Dise\u00f1o de Comunicaci\u00f3n Visual del ISDi y profesor principal de Dise\u00f1o y Gesti\u00f3n de Dise\u00f1o. Presidente de la Comisi\u00f3n Nacional de la Carrera de Dise\u00f1o de Comunicaci\u00f3n Visual en Cuba. Ha desempe\u00f1ado profesionalmente responsabilidades en el sector empresarial como dise\u00f1ador, director creativo y gestor de dise\u00f1o. Secretario Ejecutivo del Congreso Internacional de Dise\u00f1o de La Habana \u201cFORMA\u201d. Jurado del Premio Nacional de Dise\u00f1o de la ONDi, as\u00ed como miembro del Jurado de Dise\u00f1o en eventos, concursos y ferias nacionales e internacionales.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Jos\u00e9 Mar\u00eda Ribagorda. Superior School of Design. UCM3. Madrid, Spain<\/p>\nBiography<\/span><\/a>\n
Typographer and designer. Doctor in Image, Technology and Design in Complutense University of Madrid. He is currently a coordinator of graphic design of the Superior School of Design of Madrid and a member of the group of investigation of the UCM3, \u201cMAPA. Del MAnuscrito a las PAntallas (From manuscript to screens). Memory, artefacts and cultural practices.\u201d
\nBetween 2002 and 2004, he organised the \u201cMeetings around typography\u201d of the UCM and participated in the foundation of the \u201cConference of typography in Spain\u201d.
\nHe curated several exhibitions of typography such as \u201cImprenta Real, fuentes de la tipograf\u00eda espa\u00f1ola\u201d (Imprenta Real, origins of the Spanish typography) for AECID where he designs the typography Ibarra Real based on the types of Geronimo Gil and more recently “Spanish Calligraphy the art of writing” in the National Library of Spain.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Claudia Rojas<\/b>
\nUPTC \/ Escuela de Dise\u00f1o Industrial de la Universidad Pedag\u00f3gica y Tecnol\u00f3gica de Colombia.
\nColombia<\/p>\nPerfil<\/span><\/a>\n
Dise\u00f1adora Industrial titulada por la Universidad Jorge Tadeo Lozano, Especialista en Salud Ocupacional y Ergonom\u00eda, Magister en Educaci\u00f3n, PhD en Dise\u00f1o y Creaci\u00f3n de la Universidad de Caldas Colombia. Fundadora de la Escuela de Dise\u00f1o Industrial de la Universidad Pedag\u00f3gica y Tecnol\u00f3gica de Colombia UPTC, en donde es docente y coordinadora de la Maestr\u00eda en Dise\u00f1o con \u00e9nfasis en desarrollo de proyectos sociales. En el a\u00f1o 2002 inici\u00f3 junto con otros docentes Taller 11 Grupo de Investigaci\u00f3n en Dise\u00f1o, del cual es coordinadora. Sus investigaciones son de corte participativo en tem\u00e1ticas relacionadas con ergonom\u00eda f\u00edsica y ergonom\u00eda cognitiva, principalmente con poblaciones especiales. Las publicaciones involucran t\u00f3picos de accesibilidad, inclusi\u00f3n, emociones e interacci\u00f3n, y tem\u00e1ticas relacionadas con el rescate de la Identidad y la Cultura de las poblaciones que guardan tradici\u00f3n. Ha realizado pasant\u00edas en centros de investigaci\u00f3n de Argentina, M\u00e9xico y Colombia, y ha sido invitada a participar a nivel nacional e internacional como par evaluador en convocatorias de investigaci\u00f3n y como conferencista en eventos de dise\u00f1o y ergonom\u00eda.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Mar\u00eda.<\/span>Celeste.<\/span>Sanches<\/b>
\nUniversidad Nebrija.
\nMadrid, Espa\u00f1a<\/p>\nPerfil<\/span><\/a>\n
Dise\u00f1adora, profesora e investigadora en metodolog\u00edas de dise\u00f1o. Doctora en Dise\u00f1o, Fabricaci\u00f3n y Gesti\u00f3n de Proyectos Industriales (UPV-Espa\u00f1a), doctora en Ciencias\/Arquitectura y Urbanismo (USP-Brasil), master en Dise\u00f1o Industrial (UNESP-Brasil), especialista en Dise\u00f1o de Moda (UEL-Brasil) y licenciada en Dise\u00f1o Gr\u00e1fico (UFPR -Brasil). Autora de m\u00e9todos sist\u00e9micos para la gesti\u00f3n del proceso proyectual, con m\u00faltiples publicaciones, destacando el libro \u201cModa e Projeto: estrat\u00e9gias metodol\u00f3gicas em design\u201d. Miembro de los grupos de investigaci\u00f3n en Design de Moda (CNPq_Brasil) y en Dise\u00f1o Sist\u00e9mico (UPV-Espa\u00f1a). Colaboradora del grupo de Estudios Transversales en Creaci\u00f3n Contempor\u00e1nea (Nebrija_Espa\u00f1a). Actualmente, es docente en la Universidad Nebrija (Espa\u00f1a), representante Internacional de la Abepem (Associa\u00e7\u00e3o Brasileira de Estudos e Pesquisas em Moda) y profesora invitada de posgrados en Brasil.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″]\"\"
Jorge Luis Santamar\u00eda. Technical University of Ambato. Ecuador<\/p>\nBiography<\/span><\/a>\n
Doctor in Design, Fabrication and Industrial Projects Management of the Technical Superior School of Engineering of the Polytechnical University of Valencia. Master in engineering of design and expert in design and web animation. Teacher in Design and Director of the Group of Investigation GIDDIC in the Design and Architecture department of the Technical University of Ambato in Ecuador. He develops projects in the fields of habitat, sociology of design and quality in graphic production processes.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Natalia.<\/span>Stengel<\/b>
\nUniversidad An\u00e1huac Quer\u00e9taro.
\nQuer\u00e9taro, M\u00e9xico<\/p>\nPerfil<\/span><\/a>\n
Nacida en Ciudad de M\u00e9xico. Es soci\u00f3loga con menci\u00f3n honor\u00edfica por la Universidad Aut\u00f3noma de Quer\u00e9taro y maestra en arte moderno y contempor\u00e1neo por Casa Lamm. Ha participado en diversos congresos de arte, dise\u00f1o y sociedad. Sus temas de investigaci\u00f3n vinculan el impacto que tienen el arte y el dise\u00f1o en la vida cotidiana de las personas, sobre todo en lo que se refiere a la violencia de g\u00e9nero y a la \u00e9tica de la publicidad. Cuenta con diversas publicaciones de investigaci\u00f3n sociol\u00f3gica y est\u00e9tica. Ha sido maestra por 6 a\u00f1os en la Universidad An\u00e1huac Quer\u00e9taro. Actualmente estudia un MPhil\/PhD en Spanish, Portuguese and Latin American Studies en King’sCollege London.<\/div>\n<\/div>[\/vc_column][vc_column width=”1\/4″]\"\"
Dr. Luz del Carmen Vilchis Esquivel.<\/p>\nBiography<\/span><\/a>\n
Mexican. Teacher of UNAM since 1979. Member of the National System of researchers level II (Sistema Nacional de Investigadores nivel II). Bachelor in Graphic Design, Philosophy and Psychology; Master in Communication; Doctor in Fine Arts, Philosophy, Teaching and Pedagogical Philosophy. Author of 44 books, 39 chapters, 149 articles and specialized textbooks. Director of more than 270 thesis, she lead 91 courses and 204 conferences in 42 countries. Director of the Arts and Design Faculty of UNAM from 2002 to 2006. Recognized with international awards for her academic and researching work.<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column]
<\/div>

7th BID Meeting \/ 2017 Admission Committee<\/h3>
<\/div>[vc_column_text]\n

Here was the team responsible for communications’ admission in the previous edition. Get to know them:<\/strong><\/h4>\n[\/vc_column_text]
<\/div>[vc_column_text]\n

First phase<\/strong><\/span><\/h4>\n

The organizing Committee of the BID Meeting, with the support of DIMAD partner schools, was in charge of the first phase of admission.<\/p>\n

Adela Acitores (ESNE), Juanita Bag\u00e9s (Complutense Univ. \/Fine Arts ) and Miguel\u00a0Hern\u00e1ndez (Francisco de Vitoria University).<\/p>\n

\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_bottom=”50px”][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Adela Acitores<\/h3>\n

ESNE<\/p>\n

Madrid, Spain[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Architect for the UPM, she got a scholarship from the Minister of Education of research staff and university teachers at the ETSAM, in which she obtained her doctorate in 1996. Since then, she has worked as a teacher in Graphic Expression, giving lessons in the degrees of Architecture and Design &Fine Arts; as a teacher at the European University of Madrid (1996 to 2013), where she has been teacher and director of the Graphic Expression and Design department. Afterwards, she continued her academic activity at the Antonio de Nebrija University (2013 to 2015), where she was in charge of the coordination of the Graphic Expression area in the Polytechnic School. Currently, she is director of Academic planning at ESNE, University School of Design, Innovation and Technology.<\/span><\/p>\n

During all this time, she combined her teaching activities with her professional and research career, participating in various projects. Currently, she is part o the Vignola group of the Fine Arts faculty of the UC. This year, she directed the International Congress on Innovation in Teaching, of the Dise\u00f1oIDD.<\/span><\/p>\n

http:\/\/ciidd.esne.es\/<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Juanita Bag\u00e9s<\/h3>\n

Complutense University<\/p>\n

Madrid, Spain[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Juanita Bag\u00e9s is Doctor in Fine Arts at the UCM and graphic designer at the National University of Colombia. She is currently teacher in the Design degree at the Complutense University of Madrid and in the degree of Engineering in Industrial Design and Product Development at the Nebrija University. During these years, she combined her teaching and research activity with her work as a designer and photographer in various studios and editorials.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Miguel Hern\u00e1ndez<\/h3>\n

Francisco de Vitoria University<\/p>\n

Madrid, Spain<\/p>\n[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Miguel Hern\u00e1ndez, Creative Director of Pluviam. Degree in Fine Arts from the Complutense University of Madrid (specializing in design) in 1997. \u00a0University lecturer at the Francisco de Vitoria University since 2006; teacher in the Master of Edition of Santillana Formation at the University of Salamanca (2006 to 2009); teacher in the Masters in Graphic Design Communication at TRACOR (CEU, San Pablo University) 2014-2015. Specialties: Branding, Motion Graphics, Illustration and Structural Design.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Claudia Rojas<\/h3>\n

Pedagogical and Technological University
\nColombia[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]\n

Industrial Designer from Jorge Tadeo Lozano University, specialist in workplace health and ergonomics, Masters in Education, Doctorate in Design and Creation from the University of Caldas, Colombia. Founder of the Industrial Design School of the Pedagogical and Technological University of Colombia (UPTC), in which she is a teacher and coordinates the Masters in Design with a specialty in development of social projects. In 2002, she launched, along with another teacher \u201cTaller 11, grupo de investigaci\u00f3n en Dise\u00f1o\u201d (workshop 11, research group in design), of which she is the coordinator. Her research has a participatory approach in themes related with physical ergonomics and cognitive ergonomics, principally with special populations. Her publications involve all kinds of accessibility, inclusion, emotions and interactions and themes related with the rescue of identity and culture of the populations that conserve traditions. She did internships in research centers in Argentina, Mexico and Colombia and has been invited to participate at a national and international level as an evaluator in research competitions and as a lecturer in design and ergonomics events.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n

Second phase<\/strong><\/span><\/h4>\n

The Governing Council of the BID Meeting was in charge of the second phase.<\/p>\n

\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_bottom=”50px”][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Marisela \u00c1valos<\/h3>\n

M\u00f3nica Herrera School
\nEl Salvador[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Graduate in Graphic Design from the University Dr Jos\u00e9 Mat\u00edas Delgado in EL Salvador. Fullbright Intern with a Masters in Graphic Design from the University of Illinois in Chicago, and a Masters in Graphic Design and New Technologies, having studied her undergraduate in Graphical Design at the University of Illinois. Teacher for the program Gallery 37, with Graphic Design speciality. She is the director and professor for the Strategic Design degree at the M\u00f3nica Herrera School of Communication \u00a0in El Salvador. She has her own design studio where she is consultant in Graphic Design and Editorial Design for Salvadorian organizations and companies.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

F\u00e9lix Beltr\u00e1n<\/h3>\n

UAM
\nMexico[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]\n

Graphic Designer and artist. He is an honorable fellow of the Fundaci\u00f3n Dise\u00f1o Madrid. Head professor at the Universidad Aut\u00f3noma Metropolitana de Mexico and guest professor at the University Altos del Chav\u00f3n, Dominican Republic. He is an international adviser for the International Conference of Design, Mexico DF, and an International Liaison in Mexico for the Type Directors Club, New York, and National Delegate of Association Typographique Internationale, Paris. In 1988, he founded the Archivo de Dise\u00f1o Gr\u00e1fico Internacional, Latin America\u2019s first exhibition on international graphic design.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Teresa Camacho<\/h3>\n

An\u00e1huac University
\nMexico[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]\n

Graduate in Graphic Design from the Universidad Autonoma Metropolitana (UAM), specialist and Master of Design in New Technologies. She studied psychology of advertising at the University Complutense of Madrid. Her works have been presented during national and international exhibitions, including the International Mail Art, Elite International, Festival Cervantino, Graphic Intervention and Fun-Fan, among others. Since 1994, she has been freelance, with her participation standing out in 1995 as a collaborator for Coordination of Design for Graphic Communication at UAM, as well as her permanent work since 1993 for F\u00e9lix Beltran and Asociados.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Manuel Estrada<\/h3>\n

BID’s Executive director
\nSpain[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Designer. Founder and President of the Fundaci\u00f3n Dise\u00f1o Madrid (DIMAD) and Executive President of the Iberoamerican Biennal of Design (BID). Specialized in graphic design, he stands out in the field of editorial and corporative design. His studio was the second to receive the AENOR Certificate in Quality Systems (ISO 9001 norm) and in Environment (ISO 14000 norm). His works have been emphasized by institutions like the Cervantes Prize, Alianza Editorial, Fundaci\u00f3n Repsol and numerous book covers of El Pa\u00eds newspaper. He has been awarded several prizes and distinctions like the Laus, AEPD, Art Directors Club of Europe and recently the Good Design Chicago 2014. He is a member of the Council for Artistic Teaching of Spain.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Manuel Lecuona<\/h3>\n

UPV
\nSpain[\/vc_column_text]

Read more<\/span><\/h4>
[vc_column_text]Lecturer in Design Management. Teacher of Design Engineering in ETS, on the official masters in Design Engineering at the Polytechnic University of Valencia (UPV). Founder of the IGD \u2013 Group of research and design management (UPV). Director of the Trendhal designspotting observatory of trends. Manuel Lecuona is coordinator of the Design management module, of the degree with the same name, at the Foundation of the UPC. Visiting teacher at the La Havana University (Cuba); EAFIT Medell\u00edn University (Colombia) and masters in Strategic Design at the Valparaiso University (Chile).<\/span><\/p>\n

He is also external consultant in Design Management at the Barcelona Centre of Design (BCD) and at the PRODINTEC Technologic Centre. He collaborates with organisms like CANACINTRA and AFANJL (Mexico), CATEM Technologic Centre of wood (Bio-Bio Chile), CETELEM bank (Spain y FEDERHABITAT (Spain).<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Delfina Mor\u00e1n<\/h3>\n

ESNE
\nSpain[\/vc_column_text]

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[vc_column_text]Doctorate from the University of Malaga and graduate in Fine Arts (specializing in design) from UCM, she finished her studies in Graphic Design and Art Direction in Kunstacademie Van Beeldende Kunsten in Rotterdam (today called Willem de Kooning Academie). \u00a0She began her professional career in 1990 as a designer of multimedia interactive systems. From February 2002 to December 2014, she combined this labor with research and teaching in the European University of Madrid, as the course designer of the design studies program in this university and academic coordinator for its implementation. She has lead exhibitions and is author of diverse articles about design, education and diffusion. Today, she is director of Art and Design in ESN, University School of Design, Innovation and Technology, which is part of University Camilo Jos\u00e9 Cela and which offers university degrees in fashion design, product, interiors, graphics and video games.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Oscar Pamio<\/h3>\n

Costa Rica[\/vc_column_text]

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Architect and designer, graduate of the University La Sapienza in Roma, Italia. He has acquired a wide-ranging professional and international portfolio not only as a design advisor, but also as a consultant on the European Union and United Nation Projects (UNDP) for the development of design capacities in several countries in Southern Asia, the Mediterranean and Latin America. In Costa Rica, he founded and led the undergraduate course on Industrial Design at the Technologic Institute of Costa Rica. Later, he was the director of \u00a0the Design School of Products in the University of Veritas, which he also led from its opening from 2002 to 2010. Today, he is academic dean in the University of Veritas. In parallel, he is a freelance professional.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Sergio Pe\u00f1a<\/h3>\n

Isdi
\nCuba[\/vc_column_text]

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Industrial designer. He has been dean and vice rector of the undergraduate course on Industrial Design. Now he is rector of <\/span>Instituto Superior de Dise\u00f1o ISDI de la Habana<\/span><\/i>, where he himself graduated from. Masters Degree in Management and Innovation in Design, Doctorate in Management in Design from the University of Valencia, Spain. As a professor and a professional he has developed courses, projects and advised on Design in Cuba, Argentina, Brazil, Mexico, Colombia, Ecuador, Spain and Venezuela. He has been recognised with these awards <\/span>Premios Anuales de Dise\u00f1o de la Oficina Nacional de Dise\u00f1o of Cuba <\/span><\/i>and <\/span>el Reconocimiento al M\u00e9rito from <\/span><\/i>the Ministry of Economics and the Ministry of Superior Education of the Cuban Republic.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Anabella Rondina<\/h3>\n

University of Buenos Aires
\nArgentina[\/vc_column_text]

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[vc_column_text]Graduate in Industrial Design from the University of Buenos Aires, postgraduate in strategic management of design, design and projects management in the same university, and in the University of Milan. She developed her professional activity in the Metropolitan center of design of Buenos Aires from 2002 to March 2016, being since 2011 manager of the institution, a post she reached through public competitions. She is currently director of the undergraduate course in industrial design at the Faculty of Architecture, Design and Urbanism in the University of Buenos Aires and director of the postgraduate in strategic management of design \u2013 design and projects management in the same university.<\/span>[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][vc_column_text]\"\"<\/p>\n

Oscar Salinas<\/h3>\n

UNAM
\nMexico[\/vc_column_text]

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Industrial Designer, and doctorate of Architecture. He dedicates himself to professional practice, teaching and academic management, as well as research. Currently he leads the Postgraduate Program in Industrial Design at the Universidad Nacional Autonoma de Mexico (UNAM). He was president and founder of Colegio de Dise\u00f1adores Industriales y Gr\u00e1ficos de Mexico, secretary of the Latin American Association of Industrial Design and vice-president of Academia Mexicana de Dise\u00f1o. Since 1994, he has worked in and founded Comit\u00e9s Interinstitucionales for the Evaluation of Educaci\u00f3n Superior in Mexico (CIEES), in the area of Architecture and Design.<\/span><\/p>\n[\/vc_column_text]<\/div><\/div><\/div>[\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]The Admission Committee, with the submissions presented to them by the Teaching Experiences and the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/right-sidebar.php","meta":[],"yoast_head":"\nAdmission Committee - 8\u00ba Encuentro BID<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/bid-dimad.org\/octavoencuentro\/en\/admission-committee\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Admission Committee - 8\u00ba Encuentro BID\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]The Admission Committee, with the submissions presented to them by the Teaching Experiences and the […]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/bid-dimad.org\/octavoencuentro\/en\/admission-committee\/\" \/>\n<meta property=\"og:site_name\" content=\"8\u00ba Encuentro BID\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/BIDBienalIberoamericanaDiseno\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-13T11:50:37+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/bid-dimad.org\/octavoencuentro\/wp-content\/uploads\/2019\/06\/manuel-lecuona-web-300x300-150x150.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@bid_dimad\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"42 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/bid-dimad.org\/octavoencuentro\/en\/admission-committee\/\",\"url\":\"http:\/\/bid-dimad.org\/octavoencuentro\/en\/admission-committee\/\",\"name\":\"Admission Committee - 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